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| Last updated on July 13, 2008 |
The mission of Mirror Stage is to sensitize, educate and engage our diverse world community by reflecting and illuminating life on stage. Mirror Stage nurtures unique artistic voices and provides the opportunity for emerging artists to work alongside more seasoned professionals.
Description:
Mirror Stage seeks to increase tolerance and understanding by challenging assumptions, bias and prejudice, while encouraging more thoughtful reflection. Reflecting the multitude of ethnicities, heritages, backgrounds, and cultures of our community against the backdrop of universal issues with which we all struggle, MSC opens doors to new ways of seeing and thinking— entertaining while it enlightens—in provocative and challenging, yet always accessible ways.
Currently, Mirror Stage’s artistic activities focus upon its innovative Feed Your Mind series of staged readings. Feed Your Mind highlights new voices, and examines topical issues from different perspectives. The plays are presented simply: no costumes or sets—just the actors and the text. Following the reading, a discussion with the audience and artists focuses on the text and explores the relevance of issues raised to our community, nation, world and selves in more depth.
History:
Mirror Stage was originally founded as Looking Glass Theatre in Los Angeles in 1991 as a fringe theatre company. LGT’s Los Angeles productions include BEYOND THERAPY by Christopher Durang and SEASCAPE WITH SHARKS AND DANCER by Don Nigro.
Looking Glass Theatre made the move to Seattle in 1992 and incorporated as a Washington State nonprofit corporation in 1993. LGT's hit production of the West Coast premiere of MISSISSIPPI NUDE by John Reaves for the 1994 Seattle Fringe Theatre Festival was hailed as "one of the best the Festival has to offer." The West Coast premiere of MOE’S LUCKY 7 by Marlane Meyer was produced for the 1996 Seattle Fringe Theatre Festival, and a three week extension run at Brown Bag Theatre.
After a two-year hiatus following MOE’S LUCKY 7, the board of directors dissolved the corporation in 1998. In 2001, Looking Glass Theatre re-incorporated as a mid-sized professional theatre company, and began using an Equity SPT-LOA contract to hire professional actors. In March 2002, Looking Glass Theatre received its 501(c)(3) tax-exempt status from the IRS. In June 2002, the company registered the trade name and started doing business as Mirror Stage Company. In February 2006, the board of directors officially changed the corporate name to Mirror Stage.
In October/November 2002, Mirror Stage Company kicked off its Season of Premieres with the West Coast premiere of THE KNEE DESIRES THE DIRT by Julie Hébert. In February 2003, MSC presented the Northwest Premiere of FAR EAST by A.R. Gurney. Both productions were hailed by critics and audiences alike. MSC concluded its Season of Premieres in November 2003 with the Northwest Premiere of ABSTRACT EXPRESSION by Theresa Rebeck, named “Best Play of 2003” by Seattle Gay News.
Mirror Stage Company launched Feed Your Mind in May 2004 with the first public reading of HIDING HANNAH by Joy McCullough-Carranza, followed by SAINT LUCY’S EYES by Bridgette Wimberly in June 2004. In FY 04-05, Mirror Stage Company presented eight Feed Your Mind readings at the Richard Hugo House in Seattle, plus one special performance on campus of Pacific Lutheran University in Tacoma.
In FY 05-06, Mirror Stage Company presented a season of eight Feed Your Mind readings, plus one special performance of THE HEIDI CHRONICLES, in honor of playwright Wendy Wasserstein. The 05-06 Feed Your Mind season added Sunday matinees on campus of Seattle University. The 05-06 audience more than tripled that of the previous season.
For the 06-07 Feed Your Mind season, nearly half (47 percent) of the actors hired were actors of color, including African-Americans, Asian-Americans, Latino/Hispanics, and Native Americans. In addition to its season of six Feed Your Mind readings, MSC produced a special reading for the Puget Sound chapter of the Fulbright Association. In January 2007, MSC partnered with the Central District Forum for Arts & Ideas on the Martin Luther King, Jr. Nobel Peace Prize Acceptance, presented to more than 1,650 people across Seattle.
MSC kicked off the 07-08 Feed Your Mind season of six readings with the NW premiere of Mia McCullough's SPARE CHANGE, as Stage Left Theatre in Chicago simultaneously presented the world premiere. In October 07, MSC presented week #49 of the world premiere of Suzan-Lori Parks' 365 DAYS/365 PLAYS. LAST TRAIN TO HICKSVILLE by local playwright Elena Hartwell was staged in February 08, and in April 08, MSC presented GRIFFIN’S GARDEN by Nate Lessler, a high school junior who participated in ACT Theatre’s Young Playwrights Program. MSC presented performances in three Seattle neighborhoods: Belltown, Capitol Hill and downtown Seattle. Three of its five venues were new last season.
A vehicle for stimulating civic dialogue, Feed Your Mind is Theatre that Gets People Talking. MSC’s success is based upon a strong commitment to using the creative process and the performing arts to engage the community.
Contact person: Suzanne M. Cohen, Managing Artistic Director, (phone), (email)
Office fax number: (206) 283-2212
Address:
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2212 Queen Anne Ave N #294
Seattle, WA 98109-2312
This location is handicap accessible
(See a map) |
Web Site: http://www.mirrorstage.org
Directions:
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The Mirror Stage mail stop and administrative office are on upper Queen Anne. This is the mailing address only and not the location of the office. |
Miscellaneous Information
| Liability |
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Yes
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| Does your organization welcome court-ordered community service volunteers? |
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No
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| Does your organization have volunteer positions for youth 12-18? |
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No
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